Its that time of year for my annual series reviewing all of the album of the year nominees. This year I graded each track out of 100, and then of course averaged it out. On albums that feature interludes, or on certain tracks that are around a minute or shorter, those won't be judged toward the album.
"Let God Sort Em Out" - Clipse
1) "The Birds Don't Sing" (ft/ John Legend and Voices of Fire):
A track full of remorse; "The birds don't sing, they screech in pain".
2) Chains & Whips" (ft/ Kendrick Lamar):
There's a rock style production. Overall this feels fresh, with a furiously paced close; "Misery's fueling your aggression".
3) "P.O.V" (ft/ Tyler, the Creator)
Slowed down & calmer, though the flow feels slightly off.
4) "So Be It"
There's a Middle Eastern sound.
5) "Ace Trumpets"
A very smooth beat.
6) "All Things Considered" (ft/ The-Dream and Pharrell Williams)
There's a nice transition into this track; "The only sin left is to flirt with vengeance".
7) "M.T.B.T.T.F"
This brings about a 90s vibe.
8) "E.B.I.T.D.A" (ft/ Pharrell Williams)
While quicker paced, this feels a bit like a throw-in.
9) "F.I.C.O" (ft/ Stove God Cooks)
Again we see a slowed down tempo, going along with the pacing of this album.
10) "Inglorious Bastards" (ft/ Ab-Liva)
This brings about a different vibe; "I'm allergic to anything other than money behavior".
11) "So Far Ahead" (ft/ Pharrell Williams)
There's a soulful/gospel feel in the opening, with some very clever wording.
12) "Let God Sort Em Out/ Chandeliers" (ft/ Nas)
There's an interesting switch-up midway though.
13) "By The Grace of God" (ft/ Pharrell Williams)
This feels like a triumphant close to the album; "Escape the odds by the grace of God".
This is a fascinating album. It both feels new & unique, while also providing a throwback vibe to 90s hip hop. As I mentioned in the body of the review, its also really well paced (and not overtly lengthy). (82.1)
Its that time of year for my annual series reviewing all of the album of the year nominees. This year I graded each track out of 100, and then of course averaged it out. On albums that feature interludes, or on certain tracks that are around a minute or shorter, those won't be judged toward the album.
"Mayhem" - Lady Gaga
(Interscope Records)
1) Disease:
Immediately brings you into the atmosphere of the upcoming album with a classic Gaga sound; "if you were a sinner I could make you believe".
2) Abracadabra:
Intensely catchy. The pre-chorus itself tells a story.
3) Garden Of Eden:
There are some of Gaga's classic cadences.
4) Perfect Celebrity:
This deals with the spotlight of fame and idolization; "I look so hungry, but I look so good....tap on my vein, suck on my diamond blood". The production is practically perfect.
5) Vanish Into You:
The intro starts off with a power ballad vibe.
6) Killah (ft/ Gesaffelstein):
There's certainly a funk (Prince) vibe that fits really well. The breakdown builds on itself.
7) Zombieboy:
There's sort of a Gwen Stefani (Hollabackgirl) inspired sound.
8) LoveDrug:
She wants to find a way to numb herself.
9) How Bad Do U Want Me:
Getting the obvious out of the way, this is very Taylor Swift coded, but with Gaga's own flair. And its not just the sound, but the structure of the chorus. Its fun seeing Lady Gaga with a pure pop song.
10) Don't Call Tonight:
Some notable lines; "We twist the knife too many times to say goodbye".
11) Shadow Of A Man:
Very Michael Jackson coded, she really delivers on the fast paced chorus. She doesn't want to be in the background.
12) The Beast:
There's a driving/building tempo. A classic rock vibe with some powerful vocals.
13) Blade Of Grass:
A James Bond-esque ballad. Not necessarily among the top tracks of the album, but its a vibe switch.
14) Die With A Smile (ft/ Bruno Mars):
Sonically this works following "Blade Of Grass", but overall when considering the album this feels like a throw-in to produce a hit.
Not that she needed a comeback, but this album sees Lady Gaga going back to some of her early work, but still with some added flair. Its fun seeing her take on some inspired sounds, like Prince, Taylor Swift and MJ for example. (86.5)
Its that time of year for my annual series reviewing all of the album of the year nominees. This year I graded each track out of 100, and then of course averaged it out. On albums that feature interludes, or on certain tracks that are around a minute or shorter, those won't be judged toward the album.
"Chromakopia" - Tyler, The Creator
(Columbia Records)
1) St. Chroma (ft/ Daniel Caesar):
With a spoken word intro, it starts off with whispered vocals; "give a fuck about traditions, stop impressing the dead". This opener feels a bit disjointed and disconnected.
2) Rah Tah Tah:
The writing is clever; "if my ex is spilling tea about me, don't you drink that".
3) Noid:
This track provides a bit of a switch-up, with a sort of Kravitz vibe. Overall this centers on paranoia.
4) Darling, I (ft/ Teezo Touchdown):
The opening of this one feels more like a ballad; "One option for everybody? Don't you lie to me".
5) Hey Jane:
Dealing with the choice of an impending pregnancy, we see the partners going back & forth in the verses, "lets pretend we got no one to tell".
6) I Killed You:
There's a nice early flow, but the switch-up midway feels abrupt.
7) Judge Judy:
The beat is interesting, but the writing is so corny, and it drags on and on.
8) Sticky (ft/ GloRilla, Sexyy Red and Lil Wayne)
With heavy percussion, the instrumentals are far more interesting/intriguing than the sub-par lyrics.
9) Take Your Mask Off (ft/ Daniel Caesar and LaToiya Williams):
This is about being yourself and not hiding one's self.
10) Tomorrow:
With a nice guitar, this deals with thinking about the future.
11) Thought I Was Dead (ft/ Schoolboy Q and Santigold):
This has an interesting march/funk vibe.
12) Like Him (ft/ Lola Young):
This track drags on.
13) Balloon (ft/ Doechii):
With a synth-pop opening, Doechii brings some much needed energy.
14) I Hope You Find Your Way Home:
There's a nice synth breakdown.
I found this overall to be a bit up and down. Chromakopia has its high moments though. (78.4)
Its that time of year for my annual series reviewing all of the album of the year nominees. This year I graded each track out of 100, and then of course averaged it out. On albums that feature interludes, or on certain tracks that are around a minute or shorter, those won't be judged toward the album.
"GNX" - Kendrick Lamar
(PGLang/Interscope Records)
1) Wacced Cut Morals:
Acting as an opening statement, this track clicks in about midway through; "I never lost who I am for a rap image".
2) Squabble Up:
This track pops immediately.
3) Luther (w/ SZA):
A slower and mellower track; "If this world was mine, I'd take your enemies in front of God". This is a perfect blend between the two.
4) Man at the Garden:
Dealing with what he feels he's owed, this goes hard at the end. However, the "I deserve it all" refrain/mantra gets repetitive.
5) Hey Now (ft/ Dody6):
A very smooth flow; "You crash out, you better break the backboard".
6) Reincarnated:
With a nice beat, this gets deep; "I manipulated power, as I lied to the masses".
7) TY OFF (ft/ Lefty Gunplay):
Up-tempo, there's a cool breakdown midway.
8) Dodger Blue (ft/ Wallie the Sensei, Siete7x, and Roddy Ricch):
Very bluesy; "Don't say you hate L.A, but live in L.A and pretend".
9) Peakaboo (ft/ AZChike):
I found this track to be a bit clunky.
10) Heart Pt. 6:
Slower paced, this track uses a well placed sample; "Use your hearts and not your eyes".
11) GNX (ft/ Hitta J3, YoungThreat and Peysoh):
The vibe switches up. I particularly enjoyed Hitta's verse.
12) Gloria (w/ SZA):
A smooth vibe; "I've been getting used to what open-minded people do".
Kendrick Lamar just hits every single time, and that's no different on "GNX". A well-paced album. In the future, I'd love to see what Kendrick could do with a collaborative album with SZA (those features really clicked for me). (84.1)
Its that time of year for my annual series reviewing all of the album of the year nominees. This year I graded each track out of 100, and then of course averaged it out. On albums that feature interludes, or on certain tracks that are around a minute or shorter, those won't be judged toward the album.
"Swag" - Justin Bieber
(Def Jam/ILH)
1) All I Can Take:
Despite a dreamy soundscape intro, the vocals come off as very whiny. Its almost like Bieber is doing a poor Michael Jackson impression.
2) Daisies:
With a funk intro, the vocals are improved from the opening track. A very catchy song.
3) Yukon:
The vocals are pitched or distorted. The lyrics are very cringe.
4) Go Baby:
A perfectly fine track, nothing spectacular lyrically.
5) Things You Do:
A short track, but with interesting instrumentals.
6) Butterflies:
There's a nice drum beat midway through.
7) Way It Is (w/ Gunna):
Back to a dream soundscape, but the whiny vocals return.
8) First Place:
Justin sounds better in falsetto here. There's a nice heavy beat.
9) Soulful (w/ Druski)
10) Walking Away:
This is a back to form of sorts.
11) Glory Voice Memo:
His raw vocals really pop on this.
12) Devotion (w/ Dijon):
A slower track, this is very bluesy; "I promise to take my time giving you devotion".
13) Dadz Love (w/ Lil B):
More of an EDM vibe, its catchy but gets repetiive.
14) Therapy Session (w/ Druski)
15) Sweet Spot (w/ Sexyy Red):
The intro starts off smooth, but the writing (especially for Red) is just terrible and rather uncreative.
16) Standing On Business (w/ Druski)
17) 405:
Back to a soundscape vibe.
18) Swag (w/ Cash Cobain & Eddie Benjamin):
This track stalls out midway.
19) Zuma:
Another track showing Justin's raw vocals. This kind of sound is promising.
20) Too Long:
This comes off as somewhat experimental, particularly with the instrumentals.
21) Forgiveness (Performed by Marvin Winans)
I was dreading reviewing this album when it came around for this series....and while there were a couple bright spots, it was still a slog to get through. If there's anything super positive to say, it wasn't the complete trainwreck I was anticipating. Oddly enough, I got more out of the voice memos or tracks that were primarily Bieber's raw vocals. He doesn't need that whiny effect he sometimes puts on with his voice. (69.6)
Its that time of year for my annual series reviewing all of the album of the year nominees. This year I graded each track out of 100, and then of course averaged it out. On albums that feature interludes, or on certain tracks that are around a minute or shorter, those won't be judged toward the album.
"Debi Tirar Mas Fotos" - Bad Bunny
(Rimas Records)
1) Nuevayol:
I'll note that I listened on Apple Music, which provided translation. However I'm not going to have a heavy emphasis on lyrics overall in this review. Starting off with a horn opening, this track has a fusion sound to it; "When I was born, so was the flow". There's a nice breakdown and switch-up.
2) Voy a Llevate Pa PR:
This track is a bit one-note sound wise.
3) Baile Inolvidable:
Combined with a switch-up, the backing vocals and percussion, everything just meshes well; "You were my unforgettable dance".
4) Perfumito Nuevo (w/ RaiNao):
The opening is very delicate.
5) Weltita (w/ Chuwi):
There's a different vibe to this; "How can a goddess be so simple". This is a strong feature.
6) Velda (w/ Omar Courtz and Dei V)
Sonically this is one-note, as the vocals stay at the same place.
7) El Club:
There's a nice flow.
8) Ketu Tecre:
He's very emotive on this track.
9) Bokete:
The intro is nice and mellow, but the track doesn't really go anywhere.
10) Kloufrens:
There's an EDM like beat.
11) Turista:
With a pleasant and tranquil intro, the guitar acts like its own feature. This track revolves around someone in his life who was akin to a tourist, not seeing his true pain (but noting that it wasn't;t necessarily their responsibility).
12) Cafe con Ron (w/ Los Pleneros de la Cresta):
Going back up tempo, there's a nice call & response section.
13) Pitorro de Coco:
The intro is unique.
14) Lo Que Le Paso a Hawaii:
Very smooth.
15) Eoo:
There's a funk vibe that really grooves.
16) DTMF:
This track stalls a bit.
17) La Mudanza:
With a spoken word intro, this is a very strong closing track. The drum feature is insane.
I honestly wasn't sure of what to expect with this, but I found this album to be well paced. At a little over an hour, it didn't really feel like that. You had some of the slower paced tracks as a buffer bringing a change of pace. I fully get and appreciate how Bad Bunny is one of the most successful global artists right now. (84.5)
Its that time of year for my annual series reviewing all of the album of the year nominees. This year I graded each track out of 100, and then of course averaged it out. On albums that feature interludes, or on certain tracks that are around a minute or shorter, those won't be judged toward the album.
"Mutt" - Leon Thomas
(Rights to EZMNY/Motown Records)
1) "How Fast"
There's a cool intro (with an engine sound, fading between ears). The drums really kick in; "So addicted to the top, it's always missionary".
2) "Safe Place"
There's a bluesy, sort of experimental sound.
3) "Dancing With Demons"
With a spoken word intro, this track has a nice lyrical flow; "Nobody said how dark the light be".
4) "Vibes Don't Lie"
A funky vibe, this track meanders a bit. However, there's a nice horn section to close.
5) "Lucid Dreams" ft/ Masego
This deals with the after-effects of a breakup; "So dramatic you treat life like a movie scene".
6) "Feelings on Silent" ft/ Wale
Dealing with someone's real persona and "masking" one's true self and thoughts.
7) "Answer Your Phone"
A ballad, this track really builds. A vocal showcase, you can really feel his pleading.
8) "Yes It Is"
The intro is very smooth; "Bible scriptures on your left thigh, verses you don't really live by".
9) Far Fetched" ft/ Ty Dolla $ign
This focuses on a partner's wishful long-term plans.
10) "Sooner or Later" ft/ Axlfolie
11) "Mutt"
A throwback vibe, the verses outshine a rather mediocre chorus.
12) "I Do"
This track doesn't really go anywhere.
13) "I Used To" ft/ Baby Rose
There's a nice drum intro, "She said I used to have a heart, but I don't remember". This is the best feature on the album.
14) "Mutt" remix ft/ Freddie Gibbs
The remix adds some more flow to the original.
"Mutt" had its ebbs and flows, but I found this to be largely a consistent effort from Leon Thomas. The album overall moved at a fairly nice pace. (78.8)