2016 Golden Globes: Predictions

The awards season is starting to kick into gear, as the 73rd Golden Globes arrive on Sunday. Its always tough to gauge how they'll hand out awards in television, and unlike any year in recent memory, the Oscar's Best Picture race is a crowded field with several contenders. So how will that race look after the Golden Globes? I'll get into that and more with these predictions.

Best Supporting Actor, Limited Series or Motion Picture for TV:

Alan Cumming (The Good Wife)

Damian Lewis (Wolf Hall)

Ben Mendelsohn (Bloodline)

Tobias Menzies (Outlander)

Christian Slater (Mr. Robot)

The first of many awards that will be a pure guess for me. Its widely known that the Golden Globes like new TV, so with that being said, I'm going with Damian Lewis.

Best Supporting Actress, Limited Series or Motion Picture for TV:

Uzo Aduba (Orange is the New Black)

Joanne Froggatt (Downton Abbey)

Regina King (American Crime)

Judith Light (Transparent)

Maura Tierney (The Affair)

Pretty stacked field, with representatives from OITNB, Downton Abbey, and Transparent. This could go any number of ways, but I'm going with Transparent's Judith Light. I thought she was really underrated in Season 1, but think she'll get rewarded here for her continued work and presence. 

Best Actor, Limited Series or Motion Picture made for TV:

Idris Elba (Luther)

Oscar Isaac (Show Me a Hero)

David Oyelowo (Nightengale)

Mark Rylance (Wolf Hall)

Patrick Wilson (Fargo)

Again, another field I know fairly little about....but I know enough (I hope). Fargo has gotten a lot of praise, and not just from critics alone (not merely a critic's darling...more on that later). With that being said, I think Patrick Wilson takes this one home.

Best Actress, Limited Series or Motion Picture made for TV:

Kirsten Dunst (Fargo)

Lady Gaga (American Horror Story: Hotel)

Sarah Hay (Flesh & Bone)

Felicity Huffman (American Crime)

Queen Latifah (Bessie)

With my reasoning for Best Actor (Limited/TV Movie), you'd think I'd be going with Kirsten Dunst, right? Well, for whatever reason, I'm going with Queen Latifah. Why? I have my reasons......(I have literally no reasons, just a hunch).

Best TV Limited Series or Motion Picture made for TV:

American Crime

American Horror Story: Hotel

Fargo

Flesh & Bone

Wolf Hall

This seems like a pretty open and shut pick, Fargo. I suppose Wolf Hall could sneak in, but I'm going with the current favorite. 

Best Actor Television Series, Musical or Comedy:

Aziz Ansari (Master of None)

Gael G. Bernal (Mozart in the Jungle)

Rob Lowe (The Grinder)

Patrick Stewart (Blunt Talk)

Jeffrey Tambor (Transparent)

Given the Golden Globes' affinity for new TV, I could see Aziz Ansari winning this....but I'm putting my blinders on for Jeffrey Tambor. He just brings Transparent to life.

Best Actress Television Series, Musical or Comedy:

Rachel Bloom (Crazy Ex-Girlfriend)

Jamie Lee Curtis (Scream Queens)

Julia Louis-Dreyfus (Veep)

Gina Rodriguez (Jane the Virgin)

Lily Tomlin (Grace and Frankie)

Gina Rodriguez took this award last year, and I think the Golden Globes will go with another CW rookie show this time around, with Rachel Bloom. Crazy Ex-Girlfriend hasn't gotten good ratings (despite positive reviews), but the Golden Globes can be pretty out there when it comes to television, so that's why I'm predicting a Rachel Bloom upset.

Best Television Series, Musical or Comedy:

Casual

Mozart in the Jungle

Orange is the New Black

Silicon Valley

Transparent

Veep

First it was basic cable comedies getting left out, but look at this field of nominees. Besides Silicon Valley and Veep, every other nominee is from a streaming/online service (Amazon, Hulu or Netflix). Who knows if this is going to continue in the future. Anyways, onto my pick. I'm going with Transparent. It was able to build on its premiere season and develop fairly successfully. Its second season proved that its anything but a one-hit wonder.

Best Actor Television Series, Drama:

Jon Hamm (Madmen)

Rami Malek (Mr. Robot)

Wagner Moura (Narcos)

Bob Odenkirk (Better Call Saul)

Liev Schreiber (Ray Donovan)

Probably sick of hearing this already, but........the Golden Globes like new TV. Not only that, but as I mentioned with Actress-TV Comedy, they also like to surprise. That's why I'm going not with Bob Odenkirk, but Rami Malek. Mr. Robot was a buzz-worthy show, but it didn't seem like a show merely made for critics.

Best Actress Television Series, Drama:

Caitriona Balfe (Outlander)

Viola Davis (How to Get Away With Murder)

Eva Green (Penny Dreadful)

Taraji P. Henson (Empire)

Robin Wright (House of Cards)

What a loaded field of nominees. While Outlander is finally getting recognized, I'm going with a dangerous precedent when it comes to the Globes (The Emmy winner), and going with Viola Davis. Everything she does in HTGAWM is just brilliant, with her deception and scheming at every turn. This award could go any number of ways, but I'm going with the safe, and deserved route.

Best Television Series, Drama:

Empire

Game of Thrones

Mr. Robot

Narcos

Outlander

A mix of some new and familiar faces. Now, remember when I said Outlander finally got recognized? I think it gets a little more than that, it takes home this Golden Globe. Over the last couple of years, fans have been complaining, and rightfully so, about Outlander's constant snub from awards shows. I think the Globes will recognize that, and give it the top prize.

Best Original Song, Motion Picture:

"Love Me Like You Do" (Fifty Shades of Grey)

"One Kind of Love" (Love & Mercy)

"See You Again" (Furious 7)

"Simple Song #2" (Youth)

"Writing's on the Wall" (Spectre)

There's a good chance we could see a vastly different looking field once the Oscar's come around, but first its the Golden Globes. This appears to be between Brian Wilson's "One Kind of Love" and the Top 40 hit "Love Me Like You Do". I went back and forth, and while I think its highly possible "One Kind Of Love" could take it (and rightfully so), "Love Me Like You Do" is just such a beautiful and well-made song, that I think it takes Best Original Song. This was a scenario where the Fifty Shades soundtrack was vastly superior to the actual film.

Best Original Score, Motion Picture:

Carter Burwell (Carol)

Alexandre Desplat (The Danish Girl)

Ennio Morricone (The Hateful Eight)

Daniel Pemberton (Steve Jobs)

Ryuichi Sakamoto, Alvaa Noto (The Revenant)

Much like Original Song, the Original Score Oscar picture could be vastly different if John Williams is included for Star Wars: Force Awakens (he could even be the current Oscar favorite). But with this field, I think it goes to Carter Burwell. His score for Carol is just so sublime.

Best Screenplay, Motion Picture:

Emma Donoghue (Room)

Tom McCarthy, Josh Singer (Spotlight)

Charles Randolph, Adam McKay (The Big Short)

Aaron Sorkin (Steve Jobs)

Quentin Tarantino (The Hateful Eight)

When it comes to Screenplay, Tarantino is usually a safe bet, but The Hateful Eight has gotten some lukewarm reviews (still mostly positive, but still). This could be between Spotlight and The Big Short, and I'm going with the Spotlight duo of Tom McCarthy/Josh Singer. The writing for Spotlight is what elevated it to its current status.

Best Director, Motion Picture:

Todd Haynes (Carol)

Alejandro Inarritu (The Revenant)

Tom McCarthy (Spotlight)

George Miller (Mad Max: Fury Road)

Ridley Scott (The Martian)

Just how the ultimate Best Picture race looks crowded, so does the Best Director race. You could make a case for McCarthy and Haynes, but I think George Miller takes it for Mad Max:Fury Road. Much like J.J Abrams, Miller (who has been the director for prior Mad Max films, so not entirely similar situations), brought the franchise back to the forefront. He made it more than just a typical summer blockbuster.

Best Supporting Actor, any Motion Picture:

Paul Dano (Love & Mercy)

Idris Elba (Beasts of No Nation)

Mark Rylance (Bridge of Spies)

Michael Shannon (99 Homes)

Sylvester Stallone (Creed)

Another field that could look different once the Oscars roll around, but I think the frontrunner is right here. I'm going with Sylvester Stallone. Creed provided Stallone with a bit of a career renaissance. This would make for a nice comeback of sorts.

Best Supporting Actress, any Motion Picture:

Jane Fonda (Youth)

Jennifer Jason Leigh (The Hateful Eight)

Helen Mirren (Trumbo)

Alicia Vikander (Ex Machina)

Kate Winslet (Steve Jobs)

Depending on what the Oscars do, we very likely could see Rooney Mara go from Best Actress to Supporting Actress (where she'd be the presumptive favorite). But with this current field, its hard to really sort out. My pick is Alicia Vikander for Ex Machina. That's the kind of role that should be rewarded.

Best Motion Picture, Foreign Language:

The Brand New Testament

The Club

The Fencer

Mustang

Son of Saul

So this prediction is a pure shot in the dark. Literally, I just went on IMDB and Rotten Tomatoes to see which film had the better reviews. With that being said, I'm going Mustang.

Best Motion Picture, Animated:

Anomalisa

The Good Dinosaur

Inside Out

The Peanuts Movie

Shaun the Sheep Movie

There have been upsets before in Best Animated, but I don't see that happening here. Inside Out seems like the heavy favorite, and it gets the win.

Best Actor Motion Picture, Musical or Comedy:

Christian Bale (The Big Short)

Steve Carell (The Big Short)

Matt Damon (The Martian)

Al Pacino (Danny Collins)

Mark Ruffalo (Infinitely Polar Bear)

This could ultimately be between the two Big Short actors. Narrowing it down to those two, I'm going with Steve Carell. This role is a continued trend where he's being seen as a more serious actor, from Foxcatcher last year, to The Big Short.

Best Actress Motion Picture, Musical or Comedy:

Jennifer Lawrence (Joy)

Melissa McCarthy (Spy)

Amy Schumer (Trainwreck)

Maggie Smith (The Lady in the Van)

Lily Tomlin (Grandma)

2015 was a great year for Amy Schumer, and I think it carries over. Trainwreck showed that not only can Amy do stand-up and TV, but she now has another lane where she can also dominate.

Best Motion Picture, Musical or Comedy:

The Big Short

Joy

The Martian

Spy

Trainwreck

There's a chance that 2 of these films will ultimately get a Best Picture nomination, but 1 has a legit chance at the ultimate prize, The Big Short. Its been gaining a considerable amount of buzz recently, and deservedly so. It takes a complicated, economical matter in the 2008 recession, and explains it while still being entertaining.

Best Actor Motion Picture, Drama:

Bryan Cranston (Trumbo)

Leonardo DiCaprio (The Revenant)

Michael Fassbender (Steve Jobs)

Eddie Redmayne (The Danish Girl)

Will Smith (Concussion)

Field is certainly stacked with a lot of notable names, but this seems to finally be the year that Leonoard DiCaprio gets his awards circuit due (with dreams of an Oscar), and it starts right here.

Best Actress Motion Picture, Drama:

Cate Blanchett (Carol)

Brie Larson (Room)

Rooney Mara (Carol)

Saoirse Ronan (Brooklyn)

Alicia Vikander (The Danish Girl)

This race seems to be between Brie Larson and Saoirse Ronan. In a pure toss-up, I'm going with Saoirse Ronan. I think Brooklyn will be fresher on voters' minds, plus more people have seen it (for whatever that's worth). 

Best Motion Picture, Drama:

Carol

Mad Max: Fury Road

The Revenant

Room

Spotlight

Probably one of the toughest fields to judge (I've said that a lot, I know). You could make a case for every film here to come away the winner (besides The Revenant....famous last words). With all that being said, I'm going with the early "front-runner" (if you can even have a front-runner in this loaded field), Spotlight. Its been called the "All The President's Men" of today. A concise take on the Catholic Priest scandal. 

Album Of The Year Reviews: Alabama Shakes

Its time to get back to my annual review of the Album of the Year nominees. As before, I'll review each track, giving it either a "checkmark", and "O" (for a good, not great song), or an "X". To come up with a raw score, I'll multiply the "checkmark" percentage by 2, add it to the "O" %, and then subtract the "X" %. The best possible score is a 200. 

(All video/audio rights go to Alabama Shakes/ATO records)

1) "Sound + Color"

It starts off with a very tranquil opening, but still with a lot going on in the backing instrumentals.Just a nice and simple introduction to the album of the same name. (✔)

2) "Don't Wanna Fight"

Starts off with a nice guitar intro. Has some really strong lyrics; "My hand into your hand, fruit of my grief". This track provides some big vocals for Brittany Howard to close out the song. Overall, this track quickly finds its groove and keeps it throughout. (✔)

3) "Dunes"

This song has a slow groove to it with an old-school sound. The guitar rift slide is a little jarring. I appreciate the blues sound they were going for here, but it feels disconnected at times. Just a little off-putting coming off of "Don't Wanna Fight". (O)

4) "Future People"

Has a nice fusion sound. This track uses the upper register of Brittany's voice. Just a big track where everything fits just right. (✔)

5) "Gimme All Your Love"

Track has a nice call & response instrumental opening. There's a good use of spacing in the vocals that helps to bring out the message of the song. Has a nice building guitar rift about mid-way in. This song really emotes what its conveying. (✔)

6) "This Feeling"

This feels like a continuation of "Gimme All Your Love". Its trying to give off a more tranquil sound in contrast from the more heavy tracks, but it just feels too sleepy. (X)

7) "Guess Who"

Starts off with an interesting bass intro. It has a bit of a disco-fusion sound. This has that same tranquil feel as "This Feeling", but with more conviction in the lyrics; "I didn't see the sky as blue as you do/ Should I fantasize? There must be some way to love again". (✔)

8) "The Greatest"

Has an old-school "Brit" rock feel. Shows off a different lighter side of Brittany's vocals. This is just a really fun track. (✔)

9) "Shoegaze"

Has a bit of a country feel. Nothing really stands out or differentiates itself with this track. (X)

10) "Miss You"

It has a real intimate intro. Lyrically, its a very personal song. Of all the tracks, you could make the case that this one has the best use of the blues theme featured throughout the album. (✔)

11) "Gemini"

Starts off with a slow-spaced intro. Has a new-age sound. A real personal song, on how a couple could truly see each other in their eyes. Lyrically its beautiful, but it tends to drag at times. Doesn't quite fit with the rest of the album. (O)

12) "Over My Head"

A rock-soul feel, this meshes some different sounds heard on the album. Its vocally similar to "Miss You", with soft vocals. A good closing track. (✔)

Alabama Shakes show real growth here, with more of a blues feel. All in all, that feel is a better use of Brittany Howard's vocals. I'd like to see them go for more of a "soul" feel next, much like "Over My Head".

✔ = 67%

O = 17%

X = 17%

Raw = 134

Alabama Shakes: 134

SNL: 2015 Top 15

With SNL on its winter break (returning January 16th), I thought I'd do a top 15 for 2015 (including Season 40 & 41). I ended up just selecting from sketches and digital shorts, excluding any Update appearances. So with that being said, lets get to the Top 15.

15) "First Got Horny 2 U" (Elizabeth Banks - S41)

Featuring Banks, Cecily Strong, Vanessa Bayer, Aidy Bryant and Kate McKinnon, this music video was both great and nostalgic. With references to Carson Daly, The Nanny and that "Dinosaurs" TV Show (seriously, remember that?), this was just incredibly creative.  

       




14) "Santa Baby" (Ryan Gosling - S41)

This digital short was really out there, but being 'out there' is what SNL does best. Ryan and Vanessa really play this up well, as does Beck Bennett (especially when he's in his Santa outfit...sobbing). I don't know what the writers were on when they came up with this, but here's hoping they keep on doing it.
         



13) Black Widow Trailer (Scarlett Johansson - S40)

This Marvel parody was great, but it also made a statement. As a standalone movie, Black Widow looks to balance out work, friendships and relationships in this "rom-com". While there have been strong female characters in Marvel movies (and superhero movies in general), there haven't been many standalone films headed by women (Marvel especially).
        



12) "Close Encounters" (Ryan Gosling - S41)

This was one of those sketches that was just filled with energy....because everyone broke. Kate displayed her talent here, as she explained her alien abduction. She just owned this character in every sense. Without that, this would have been just an average sketch, but the break made this one special.
         




11) "Family Feud: Extended Family" (Tracy Morgan - S41)

Game show sketches can get pretty mundane, but when they shine, they really shine. This Family Feud sketch played off of an actual idea, instead of just using it as a vehicle for celebrity impersonations. One family is headed by the single Leslie Jones.....the other by her ex Tracy Morgan and his new wife Cecily Strong. Kenan Thompson worked flawlessly here, allowing his Steve Harvey impression to really pop.
      



10) "Casablanca" (J.K. Simmons - S40)

An "alternate ending" to Casablanca, once again Kate displayed why she's among the best right now on SNL. In this ending, Ilsa isn't so conflicted about getting on that plane, despite the long speech by Rick (Simmons). Just a brilliant sketch.
      




9) "Spaceship" (Chris Hemsworth - S40)

Never has a host had such chemistry with a chicken. A spaceship captained by a chicken........that was the actual plot of the sketch, was fantastic. Hemsworth was able to play off and quickly react to whatever the chicken did. This could have gone very wrong, but luckily for us, everything clicked.
         



8) "WWE Promo Shoot" (Dwayne Johnson - S40)

This was a sketch where you weren't quite sure where it was heading or what to expect. Johnson plays a wrestler who gets extra personal when attacking his opponent (Bobby Moynihan). This shouldn't have worked, but "The Rock" Johnson put this all together to make it work.
        




7) "Guns" (Amy Schumer - S41)

It took a while this season, but SNL finally waded into the waters of gun control with this digital short. You have to imagine, given her advocacy, that Amy pushed for this, and it worked really well. Yes, its over the top, but there are just so many great scenes, from Kate McKinnon firing a gun in the air while on a jog, to Vanessa and Bobby wielding guns as she gets wheeled in to a hospital to deliver a baby. Its nice to see when SNL gets into the political field with something humorous like this.
        



6) "Star Wars Toy Commercial" (Chris Hemsworth - S41)

Arguable the best parody commercial of the year, this was a good addition to the list of "Star Wars" bits over the last year or so. This commercial features probably one of the greatest lines of the season, where a kid tells Taran Killam "Does your wife like toys too?", followed by a close-up to his solemn face.
          



5) "Bushwick, Brooklyn 2015" (Kevin Hart - S40)

A great digital short with Jay Pharoah, Kenan and Kevin, there were just so many great moments here. The premise seems simple enough, but this short has a pretty high re-watchability factor. Very well produced digital short.
        



4) "Neurotology Music Video" (Michael Keaton - S40)

Another great digital short, this music video is a take off of the Scientology music video that went viral with the release of a Scientology documentary over the last year. Some may say it looks too much like the original, but there are just so many great little moments. This is a perfect takedown, yet also kind of sad to think that some actually follow a practice similar to this.
          



3) "Thanksgiving Miracle" (Matthew McConaughey - S41)

This was a perfect vehicle for Adele's "Hello". In this digital short, a family sits around the table during thanksgiving dinner, and start to bicker about politics. That's where Adele comes in, as "Hello" is a universal symbol for all. The production value was fantastic, as everyone (even Matthew and Jay) start turning into Adele. But Aidy Bryant's transformation may be the best of all...wind-machine and all.
         



2) "Listening Party" (Kevin Hart - S40)

This was the best host-led sketch of the year. Kevin Hart's energy solely made this work, as he bounced around, firing off lines and gun noises, as he reveals secrets of his crew. A sketch that needed a lot of energy to work, and it had just that.




1) "Picture Perfect" (Reese Witherspoon - S40)


SNL has been a little timid over the past year in dealing with edgy material, but this certainly wasn't one of them. A pictionary like game-show, Bobby is asked to draw the prophet Muhammad by host Taran Killam. Bobby and Kenan's facial expressions alone made this (in my opinion), the best sketch of 2015.
          

SNL Season 41: Ep. 9

SNL had its mid-season finale, as it welcomed back Tina Fey & Amy Poehler. So would they go out on a high? Onto the review

GOP Debate Cold Open: So far, SNL hasn't really know what to do with the GOP race. This was one of the first GOP debate parodies, and it didn't go all that well (at least not with vintage debate sketches). Darrell Hammond returned to play Trump, with Taran Killam sliding over as Ted Cruz. Hammond's portrayal was welcome compared to Killam's lukewarm impression. No matter how "meh" this cold open was though, Jay Pharoah's Ben Carson will always be hilarious. (5.7)

Monologue: As expected, being the Christmas show, Tina and Amy did sang a "new" Christmas song, with completely different tones. I'm not quite sure where this was going, but its fun to see Tina and Amy play off one another (even if this went on a bit too long). (6.7)

A Hillary Christmas: Current Hillary (McKinnon) meets late 2007 Hillary (Poehler) in this sketch. They discussed the similarities and differences on each's campaigns, and had a good laugh at Trump being the frontrunner for the GOP. What made this sketch great though was Tina Fey returning as Sarah Palin. Yeah, it might have made much sense with the sketch, but her Palin game is just as strong as ever. (8.3)

         



Meet Your 2nd Wife: There were some audio glitches that threw this one off, so I re-watched the edited sketch on youtube to accurately review it. Tina and Amy play gameshow hosts, where they introduce contestant's future 2nd wife to them (Killam/Moynihan/Kenan Thompson). The twist...their 2nd wives are much much younger. This is some of that edgy humor that SNL tends to do well. (8.0)
        




Hoverboard (ad): SNL got around to mocking those so-called "hoverboards" that seem to be all the rage this holiday season. They may not actually hover, but they do catch on fire quite often. This was enjoyable enough, although a little dated. (7.4)


Movie Set: This sketch made its return...for some reason. Kenan plays a director on a movie much like "Carol", but he wants Tina and Amy to act like its The Jeffersons. This sketch probably seems good on paper, but it just doesn't play well on camera. That, and it went pretty long. (3.9)


(Bruce Springsteen + The E-Street Band): (8.0)


Weekend Update: Jost and Che have formed a fairly solid partnership, but that partnership can be a little uneven as a whole at times. They were alright this week, but they weren't quite at their best.

The first guest saw McKinnon as "Somebody's Mom" Deenie. She ate some salmon, and talked about some soap opera or whatever she'd been watching. Kate is just a treasure. SNL fans should appreciate her while she's still here.

Deenie

Tina and Amy showed up to tell the last joke of Update. I wish they had gotten to do more. (6.9)


Special Offer: A sketch about a special offer on a variety show, this seemed like a vehicle to get a bunch of ideas on the show. Maya Rudolph showed up and did her thing, and then Amy sang a Christmas song while on crack....followed by Kenan's Bill Cosby doing "Baby, Its Cold Outside". The bits were fun, but it felt a bit scattered. (6.0)


Dope Squad (short): A takeoff of Taylor Swift's squad in her "Bad Blood" music video, this was really clever. It felt like one of SNL's more old-school digital shorts. Featuring Tina and Amy's squad of nannies and shared gynecologist (plus Amy Schumer), this just felt very real and down to Earth. (8.0)

Dope Squad


(Bruce Springsteen + the E-Street Band): (8.4)


Bronx Beat: Maya made another appearance with the oft-seen recurring sketch with Amy "bronx beat". It seems no matter the "guest" or the writing, Amy and Maya have just as much chemistry as Tina and Amy. While this wasn't the best version, it still was nice to see. (7.0)


This was more or less a consistent show to close out 2015. Maybe expectations were a bit too high, but this was an enjoyable show (especially the closing credits, where Paul McCartney showed up as Bruce and the band played 'Santa Clause Is Coming To Town'). The cast looked like they really enjoyed themselves.

Overall Score - 7.03

Tracy Morgan - 7.94
Elizabeth Banks - 7.53

Chris Hemsworth - 7.20
Amy Schumer - 7.18

Matthew McConaughey - 7.13

Tina Fey/Amy Poehler - 7.03
Ryan Gosling - 6.92
Miley Cyrus - 6.07
Donald Trump - 4.92

SNL Season 41: Ep.8

SNL continued on as it approaches its midseason finale next week, and a familiar face stopped by. So how did Chris Hemsworth do? Onto the review

Cold Open: George W. Bush: Will Ferrell stopped by as Bush to discuss the current GOP field. Political cold opens have been very hit or miss this season, but this week's was the best one yet. Ferrell was in his element on Bush, talking about how "Jeb!'s" slogan, and riffing on Donald Trump. As Bush mentions, compared to this field, Bush didn't look half-bad as a President. (9.2)

        


Monologue: Hemsworth joked around about how soon he's coming back to SNL since hosting last season. He went back-stage and roughed around with the cast-members (but wouldn't mess with Leslie Jones). I actually really like these types of monologues. Its been done before, but Hemsworth did it really well. (7.6)


Star Wars Toy Commercial: With Force Awakens coming out this coming Friday, we were bound to get a Star Wars bit, but this was done really well. The commercial featured kids.....and collectors trying to dictate on how to play with them. One particular line made this great; when one of the kids told Taran Killam if his wife likes to play with toys....followed by a close-up of his solemn face. This was a bit that spoke to a lot of people. (8.7)

         




Christmas Sing-a-long: This was a sketch that was out there, yet it still worked because everyone involved really committed. Hemsworth and Cecily Strong played a couple with some friends over (Kenan Thompson/Sasheer Zamata/Kate McKinnon/Killam) singing some carols. Then Cecily and Hemsworth started singing "Debra's Time", which no one knew. Cecily was just so committed to this, and it played well on how the friends somehow knew the song by the end. (8.1)

         



Brother to Brother: Wrestling Meet: A recurring sketch from the last time Hemsworth hosted, he played as a twin brother with Taran, and like the first one, they try to pass Killam off as his brother at a wrestling meet. There, the coach and teammates start to tear him down on his looks. This was good the first time around, but we got the point. I'm not sure we needed a repeat of this. (5.5)


Time To Bleed (short): Next was a short where Hemsworth played a cop partners with Zamata, who gets shot but doesn't go to a hospital, playing off of situational TV dramas where they seem to bounce back quickly. Hemsworth and Zamata had a lot of chemistry, and worked well together. The premise was just great, as he continually tried to hit on Zamata, even through lead poisoning. (8.0)




On The Record: This saw Kate McKinnon take on the role as Greta Van Susteren as she asked GOP candidates their take on Trump's recent plan to ban Muslims from entering the country. Killam as Ted Cruz was pretty great, but once again it was Jay Pharoah's Ben Carson that made this lackluster sketch memorable and amusing. (6.6)


(Chance The Rapper): (8.0)


Weekend Update: The writing for Update this week was just fine. Nothing extraordinary. Che and Jost had a nice little riff on Trump, but it felt like it lost a little punch (especially considering how he hosted this season).

Coming off of being named Time's Person of the Year, Kate appeared as German Chancellor Angela Merkel. As always, she was pretty great. She had a great line on Trump's disapproval of her, saying "I guess Trump's more of a fan of our earlier work".


Leslie Jones showed up talking about Breaking Bad (she's been live-tweeting her marathon viewing of the show over the past couple of weeks). Leslie is usually always on point, but this appearance seemed rather pointless. (6.4)



Brunch: Hemsworth went under-cover as "Clair" to see if his female fans still liked him. This was a sketch that was kind of dumb on its face, but was still pretty humorous. The group (Cecily, Aidy Bryant, Vanessa Bayer) started wondering why Clair kept talking about Hemsworth, and then wondered how they even met her. Aidy's last line in particular was very well delivered. (6.6)


Pirate Ship: Oy, this sketch. This was one of, if not the first sketch where new cast-member Jon Rudnitsky was the star...and it wasn't good. I mean, it wasn't epically horrible or anything. Jon played a pirate who messed and joked around on a ship.....but it just wasn't good. It leaves me wondering why they even hired Jon in the first place. (4.5)


(Chance The Rapper): (8.5)



Male Strippers: A group of strippers (Pharoah/Beck Bennett/Hemsworth/Taran) put on a show....well more of a dance performance without stripping, much to the disapproval of the crowd. This was a sketch that was a good premise, but just didn't play out when performed. (5.9)


Maybe its too early to call Hemsworth the next Timberlake or Jon Hamm, but coming off of his 2nd hosting gig right after his first, he's very well up to the task. He seems to enjoy poking fun at himself, and he works really well with the cast. Its nice seeing a show where it looks like the host and cast really enjoy one another.


 Overall Score - 7.20

Tracy Morgan - 7.94
Elizabeth Banks - 7.53

Chris Hemsworth - 7.20
Amy Schumer - 7.18

Matthew McConaughey - 7.13
Ryan Gosling - 6.92
Miley Cyrus - 6.07
Donald Trump - 4.92

SNL Season 41: Ep.7

SNL came off its Thanksgiving break and started its final push before Christmas. So how did Ryan Gosling do? Well hey....let me tell you about it. Onto the review

Donald Trump Christmas Message (Cold Open): The show started off with Taran Killan as Donald Trump (with Cecily Strong as his wife). This just missed the mark. You can't really do a proper parody anymore with Trump, given everything he's said or is likely to say on the campaign trail. That, combined with Taran's sub-par Trump impression, resulted in this being a total miss. (3.9)

Monologue: Ryan's monologue started with him pretending to be from Brooklyn instead of Canada, and looked like it was veering into a Q&A monologue, but then fellow Canadian Mike Myers appeared and livened things up a bit. Ryan still looked a bit nervous, but with Mike he looked fairly comfortable as they sang a "Canadian Christmas song". (6.9)

Settl App (ad): An ad for an app for those who want to settle for a partner. All in all, this was fine, but the idea wasn't all that inventive. I was kind of fascinated with Taran's character though. (6.2)

Close Counter: Ryan, Cecily and Kate McKinnon played UFO witnesses at a NSA meeting. Cecily and Ryan had tranquil experiences......but not so much for Kate. On its face, this was a sketch that should have been just "meh", but with Kate being the genius that she is, got everyone to break (even the NSA agents, Aidy Bryant and Bobby Moynihan). There was just so much energy in this sketch. (8.8)

        




Santa Baby (short): I don't know what the writers were on when they came up with this, but thank God whatever it was. This short played off like a drama, with Ryan and Vanessa Bayer playing a couple at a Christmas party, expecting to really see Santa. Beck Bennett and the rest of the guests quickly get creeped out as the tension and bizarreness of it all ratchets up. Ryan and Vanessa really sold and committed to this, and that makes it work as well as it did. (9.0)
        



Birthday Party: A recurring sketch from a while back, Ryan played a dad supervising a teenage birthday party, and Aidy Bryant is feeling some things. In general, this sketch was fairly flat, but Aidy did everything she could and saved it from being a miss. (6.8)


(Leon Bridges): (7.9)



Weekend Update: I don't know what happened here, maybe it was the writing, or the delivery, because you could hear crickets throughout the 1st half with Colin Jost & Michael Che. It wasn't until the guests showed up that the audience finally got into it.

Cecily Strong played magazine writer Jill Davenport who was supposed to talk about tech gift ideas, but instead used her time to flirt with Colin. Besides Cecily showing how attractive she is, I'm not sure what the point was behind this.

The guest that made Update this week was Bobby's Anthony Crespino (second-hand news man) and his partner & third-hand newsman Angelo Skaggs (Ryan). These two worked really well together and brought the energy level back up for Update. (6.5)
          




Hometown Bar: In this sketch, Ryan returned to his hometown bar to talk with a GQ reporter (Cecily). There, he ran into an old friend Kyle Mooney, who challenged him to dance and sing. That was pretty much the entire sketch. There really wasn't much to this besides giving Ryan an opportunity to dance. (5.8)


Nespresso (ad/short): Watching this for the first time, I didn't get it at all. But it turns out this was based off of an actual nespresso ad featuring George Clooney and Danny DeVito.
    

So with that context, this parody made sense (with Bobby returning as Devito, and Taran making for a pretty believable Clooney). In the parody, DeVito was puzzled on why Clooney was stringing him along for just a cup of coffee. All in all, this was actually pretty good (as mentioned, with the added context). (8.4)




The Wiz: Cut Scene: SNL got around to a sketch about this year's live musical telecast "The Wiz". It featured Sasheer Zamata as Dorothy, along with the scarecrow, lion and tin-man as they meet the wizard (Leslie Jones), when the Wizard Of Oz's scarecrow shows up (Ryan). This sketch was about the differences between the two adaptions (and its modernization). This could have been flat, but Ryan really made for a terrific scarecrow. (7.0)


(Leon Bridges): (8.0)


Submissive Elves: This was a pretty bizarre recurring sketch (last appearing with Louis CK). Keenan Thompson, Vanessa and Ryan played elves who wouldn't to be disciplined by Santa (Bobby). This sketch quickly made its point, and then kept on going. It was really trying to hard for that 10 to 1 spot. (4.7)


Ryan Gosling sure tried, and that's really all you can ask for from a host. They stayed away from topical material for original sketches, which were fairly hit or miss. Gosling's breaking got a little old after a while, but he still made for an appealing host.

Overall Score - 7.13


Tracy Morgan - 7.94
Elizabeth Banks - 7.53
Amy Schumer - 7.18

Matthew McConaughey - 7.13
Ryan Gosling - 6.92
Miley Cyrus - 6.07
Donald Trump - 4.92